Tuesday, 23 August 2011

War - The Human Cost


At last Saturday's panel at the Imperial War Museum we shared the stage with Sean Duffield of Paper Tiger Comix who, along with contributors Dan Locke and Ben Naylor, was discussing his latest publication War - The Human Cost.
I have just finished reading my copy and I would urge anyone who cares about our planet to invest in one. This is a compelling 260-page collection of hard hitting comics from many contributors from around the world. The quality of this anthology is unquestionable; top notch artwork and proper intelligent discourse, covering conflicts all over the globe going back over a century, it tells a variety of stories and looks at the issue from many perspectives. Not only will you be contributing to a worthy cause (Campaign Against Arms Trade), you might actually learn something too.
And I haven't even listened to the CD yet.

Thursday, 18 August 2011

Radio days

















On Tuesday night Eileen and I appeared on a special edition of Alex Fitch's Panel Borders on Resonance FM informing people about the goings on this weekend at the Imperial War Museum. Click HERE to listen to the programme.
Check Paul Gravett's blog for a full report and information about the event.

Friday, 5 August 2011

Comics and war


Two weeks after Austerity Caption, my mother and I will be appearing at the Imperial War Museum to present Philip and Helena in the context of the Comics and Conflicts event.
Eileen's moving account of her wartime experiences might surprise those of you who imagine it was all spam and powdered eggs.

Monday, 4 July 2011

Bubbling with excitement


Yay! I am looking forward to going to Caption in August and have got round to booking a table at Leeds Thought Bubble in November.

Now to produce some new work...

Sunday, 3 July 2011

Go East, young man



Dan Lester has left the building.
On Friday, after two and a half years in Harlesden, Dan has packed up his belongings and headed for the Far East in search of new adventures.
What seemed like a month-long farewell party culminated last Thursday June 30th in his final goodbye to the comics fraternity at the launch of David B's latest oeuvre, the Self Made Hero published Black Paths. I have so far only dipped in to my copy, a thing of beauty, the usually stark black and white line work complemented by gorgeous colour. I will savour it slowly to make the pleasure last.

Dan could barely contain his joy at his awesome leaving card.

A month of events kicked off for me with David O'Connell's very jolly Queen Mum Workshop at Orbital, part of the International Alternative Press Fair, on June 9th. The 16th saw the London Print Studio play host to a private view for the Imagined Cities exhibition. Dan's official farewell barbecue took place on a rainy Saturday 18th (Sarah McIntyre wrote a report here). Next up was the Comix Reader launch on 22nd June – get yourselves a copy already, it's only a pound for chrissakes!
July 1st we celebrated We Are Words and Pictures displaying their work at Bookartbookshop and last night we popped by the incredibly talented Julia Scheele's birthday drinks in Camden.

















Latest news is that Dan arrived safely in Korea and has started making friends.

Friday, 3 June 2011

Comical Animal 4


It is online.
I have contributed.
It is fab. It is free!
You should subscribe.
Check it out.

Thursday, 2 June 2011

A woman's point of view


Having failed so far to find any reviews of this by a woman, here goes.
Chester Brown's Paying For It, a graphic memoir detailing his experiences with prostitutes as a customer, is a fascinating insight into the mechanics of a transaction that tends to be mysterious to a lot of us.
Unless engaged in said activity in one or other capacity, one has but a sketchy idea of the interaction. Chester Brown presents a totally deadpan, and presumably honest, picture of his dealings with a number of women over a period of five years. Prompted by the end of a relationship and coming to the conclusion that the only part of it that he misses and can't get from friends or family is the actual sex, he rationalises that it would be easier and cheaper to pay for the occasional shag.
This is actually very funny as he details calculating how often he can indulge without it costing him any more than dating a girlfriend, gets all wound up and paranoid about how to hook up and worries about the etiquette.
The reactions when he confesses his actions to people, the Woody Allenesque discussions between him and friends (mostly fellow cartoonists Seth and Joe Matt), the thoughts that go through his head while engaging in the activity all contribute to the humour as we vicariously follow this odd skull-headed creature into unknown territory.

But once he has got over the initial awkwardness and fear and gets more confident with the milieu, it starts to become an uncomfortable read. As he tries to reconcile his supposedly non sexist attitude with his dispassionate dissection of the women he visits, evaluating the attractiveness and the performance of faceless females (the facelessness, he argues, in order to protect their privacy). He visits review sites and starts leaving reviews himself. He seems unable or unwilling to look too deeply at some of the situations he finds himself in. He wants to believe that all the women he visits are simply business women who have chosen this profession as logically as he decided to use them. There is a total lack of questioning as to the myriad motives and experiences that may have lead them to this place. And an inability to consider that maybe what they are telling him is not the truth. Maybe he was very fortunate in only meeting such well adjusted ladies, maybe all johns are polite, mild mannered individuals like himself, who even tip when they don't have to. Maybe Canada is a country where everything is nice.
At the beginning, he is constantly afraid of being robbed, beaten up or arrested, it doesn't seem to occur to him that those are the risks the women are taking. In the lengthy notes at the end of the book, Brown seems intent on justifying his position by glossing over the darker aspects of the trade - pimping, violence, drug addiction and trafficking. He refuses to see that the relationship is not one of equals; he is in a position to take it or leave it, while they are bound to provide the service, however repugnant he may be to them. He is in control as to whether the transaction takes place.
While I believe all women should be free to dispose of their bodies as they wish, including selling them, most have complicated reasons for going into prostitution and too many are forced into it. Chester Brown's premise that prostitution is just a form of dating and that one day everyone will just buy sex from each other is actually hilarious. He doesn't seem to understand that the world is already that way, just that he's not rich enough to participate in that particular feast. Since time immemorial, the elite have generally been able to mate with the better looking females of the species. Wealth allows men, however old or hideous, to take their pick, and pension off the no longer nubile.
Paying For It is an appropriate title, as money is the crux of the matter and Chester just needs to make more of it to make his dream a reality.
As an autobiographical comic, this is fascinating. We observe tiny figures in rigidly laid out panels from a distance as we follow Brown on his encounters. An articulate and intelligent, apparently kind and gentle, but emotionally remote and ultimately self-deluded man, he has managed to justify his solution for getting laid with attractive and mostly younger women, without risk of rejection or getting involved, by naively denying any troubling aspects of the trade that he is engaging in.